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The only really interesting character in this story is the Charles I, knowledge of whose execution perhaps invokes a certain involuntary sympathy on the part of the viewer, and who is suavely played by Peter Capaldi.

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who seems to exist for the sole purpose of allowing us to judge the past through a modern pair of eyes.

To me, the essence of good historical drama is that it distances us from our own times, and allows us to see how others could have held positions that seem to us indefensible; but 'The Devil's Whore' invents a fictitious female heroine, beautiful and anachronistically feisty and involved in a story line that could have been borrowed from 'Thelma and Lousie'! Drama charts the progress of the English Civil War through the story of a young woman, the fictional Angelica Fanshawe, and her three husbands.

But overall, 'The Devils Whore' is part Hollywood narrative , part Jane Austen and a sprinkling of socialism: an odd combination, and a disappointment compared with Flannery's best.

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The drama's general sympathy for the Levellers and associated proto-socialist movements is also overdone, in that the characters with attractive politics are consistently shows to be morally superior, and more likable, than those without.